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Chaayavaad ki Pramukh Pravritiyan in Hindi
Chhayavaad is that poetic stream of the romantic rise of Hindi literature which started around AD. From 1918 to 1936, it was the main Yugvani. The credit for naming Chhayavaad goes to Mukutdhar Pandey. Mukutdhar Pandey published an essay in Shri Sharda Patrika, in which he used the word Chhayavaad for the first time. Personality is predominant in Chhayavadi poetry. Poetry, being limited in the periphery of personal thought and feeling, became introverted, became engrossed in the poet’s ego.
Poets openly express their joys, sorrows, ups and downs, hopes and disappointments in poetry. He saw the whole material world in color with his emotions. Jaishankar Prasad’s ‘Aansu’ and Sumitra Nandan Pant’s ‘Uchchhavas’ and ‘Aansu’ are beautiful illustrations of individualistic expression. All is embodied in the self of its individualism. The biggest feature of Hindi poetry is individualism. Chhayavadi poetry is basically a poem of individualism. In search of the subject, the poet looks inside his mind, not outside. These poets have great faith in their personality. With great enthusiasm, they have expressed their happiness and sorrow by binding this immense faith in emotion and blackness. The expression of individualism has been found in Prasad’s tears and Pant’s sigh.
Main tendencies of Chhayavad
Predominance of individualism:- In the poetry of Chhayavad, so much importance has been given to the love of nature that many people call it Chhayavad. In Chhayavad, nature has been accused of consciousness. All the shadow poets like Prasad, Pant, Nirala, Mahadevi etc. have expressed their beauty and love by depicting nature in female form.
Nature Illustration :- In Chhayavadi poetry, so much importance has been given to the love of nature that many people call it Chhayavad. In Chhayavad, nature has been accused of consciousness. All the shadow poets like Prasad, Pant, Nirala, Mahadevi etc. have expressed their beauty and love by depicting nature in female form.
Woman-beauty and love-delineation:- There is a special attraction towards female beauty in the shadow poets. There is subtlety and modesty in it, not the grossness and nudity like ritual poetry.
Love Portrait: There is no hidden hidden in the love portrayal of the shadow poets. Because in this, the depiction of gross action trades is not found or it is not available. This depiction is limited to the psychic star. Therefore, in it there is a wider depiction of detachment than the feelings of union, Nirala’s poem has flowed dependently on affection. Mysticism is an essential trend in Chhayavadi poetry, in Pantkrit gland and Prasad’s tears and autobiography. This trend has been a primitive trend of Hindi literature. For this reason every poet of Chhayavad adopted this tendency out of a fashion or personal interest. If Nirala adopted it because of Tatv Gyan, Pant, overwhelmed by the natural beauty and Mahadevi Varma, because of excessive love and pain, settled it in the body, then Prasad sought the Supreme Being in the outer world.
Romanticism: – Love of nature has been given so much importance in Chhayavadi poetry that many people call it Chhayavad.
The primacy of imagination: – In the poetry of Chhayavadi, so much importance has been given to the love of nature that many people call it Chhayavad.
Philosophy: – In Chhayavadi poetry, so much importance has been given to the love of nature that many people call it Chhayavad.
Stylistic tendencies: – In Chhayavadi poetry, so much importance has been given to the love of nature that many people call it Chhayavad.
Context :- In Chhayavadi poetry, so much importance has been given to the love of nature that many people call it Chhayavad.
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